»Schneidler Latein«

»Schneidler Latein« Typeface

The Schneidler Latein is a sharp and elegant Antiqua based on the ductus of the broad edged pen with a strong character. Running perfectly in paragraph text giving it something quite special and being effortlessly legible at the same time, Schneidler Latein works great in headings as well. Each glyph is a piece of art ready to be used in branding and blowup combining beauty and personality in a kick-ass blend. It is absolutely new to the digital world as it never has been digitized before.

This new version digitized, further developed and extended by artist and graphic designer Lena Schmidt comes in nine styles from which there are four application-related ones like Subtext and Display and five weight-related ones like Bold and Heavy. Each style contains 948 glyphs, variations of numbers, three stylistic sets one preserving the historic forms of changed characters, small caps, open type features and superior and inferior characters.

Designed by F. H. Ernst Schneidler the Schneidler Latein was released in 1916, the bold version in 1920 and the italics in 1921. Schneidler was born in 1882 in Berlin. He studied at the school for applied arts in Düsseldorf with professor F. H. Ehmcke and P. Behrens. He was as a painter, graphic designer and illustrator. In 1920 he was appointed as teacher in the school for applied arts Stuttgart. His students were Albert Kapr, Imre Reiner and Lilo Rasch-Naegele among others. Further well-known fonts from his hands are for example Legende, Amalthea, Schneidler Mediävel and Schneidler Antiqua.

The Font is published on Myfonts


»Kim Typeface«

»Kim Typeface«

»Kim« is a grid font that was designed by my nine year old niece Kim on a grid predefined by me. In this student project I was interested to see how Kim would tackle the task of dealing with this grid and what the result would be like.

Coached by Prof. Jovica Veljović.

»Jutta Typeface«

»Jutta« Typeface

In this student project I digitalised a font design by my mother Jutta.When my mother was young she loved to do pen drawings. She did a lot of wonderful illustrations and many font designs. I wanted the font to still have the initial charakter of a hand-drawn font but to work in the digital world as well. As the template I used was a Donovan songtext I decided to integrate this as well as the great illustrations I found in my mothers archive into my design of the presentation.

Coached by Prof. Jovica Veljović.